About the Project
BLUSKREEN is an independent instrumental and experimental music project that has been pushing the boundaries of sonic exploration since its formation in 1996. What began as a fascination with unconventional instruments, audio sampling, effects processing, and synthesizers quickly grew into an obsession, resulting in a prolific body of work characterized by its immersive sound. Over the years, BLUSKREEN has crafted a truly unique musical style that blends dense atmospheres, angelic melodies, and deep electronic textures, to create a rich, cinematic experience that appeals directly to the senses. BLUSKREEN's catalog includes seven independent releases as well as commissioned works for film and television.
BLUSKREEN’s music often transcends traditional song structures, embracing a freeform approach that invites listeners on a journey. Tracks evolve with dynamic shifts in instrumentation and mood, delivering an introspective and meditative quality perfect for the immersive demands of modern media. The project’s ability to balance tension and release, while seamlessly blending elements of ambient, electronic, neo-classical, drone, alternative, post-rock, lo-fi, indie, and downtempo, makes it an ideal choice for underscoring scenes that require emotional depth and atmosphere.
For music supervisors in search of sound that captivates and lingers, BLUSKREEN offers a dynamic palette of sounds that can serve as both a haunting backdrop and a centerpiece. Its intricate compositions and evocative melodies are crafted not just as music, but as aural storytelling—making it the perfect sonic companion for visual narratives. Whether accompanying an emotional dramatic scene or setting the tone in a psychological thriller, BLUSKREEN’s music provides a distinctive, profound experience that resonates long after the final note. Connect + Listen.
100% of all masters and publishing are owned by the Artist (Tony Lannutti).
“…layering of sound is Bluskreen greatest perk – the layer may be a simple one, but when paired with other layers, the sound can become full and beautiful. And yet, this still sounds effortless.” – independentclauses.com
From the Artist
Music as an Experience
Music has always been my way to escape. There’s something transcendent about closing your eyes and getting completely lost in sound. It can be deeply personal and profound, yet impossible to explain. I think we sometimes try to make sense of things that can't be explained, just to feel grounded in a chaotic world. But other times, we just want to switch off and lose ourselves. For me, music does both—it’s a place to find clarity and a space to let go.
Musical Beginnings
I’ve always been driven by mystery. One of my earliest memories is being fascinated by the sounds coming from video game arcades as a kid. Also, renting VHS tapes from the video store around the corner from my home in the 80’s introduced me to horror, sci-fi, and John Carpenter soundtracks. Later, as a teenager, electronic music hit me in the same way. I remember saying to myself, “What is that sound? How are these sounds even made?”. That kicked off my exploration into drum machines, samplers, synths, and MIDI. I remember buying my first sampler and drum machine back in 1998 based on very limited knowledge of the technology (a BOSS SP-202 and BOSS DR-202). The photos in the catalog just looked so cool! You can see my daughter playing the DR-202 on the cover of my album "BLUSKREEN: Selections".
I first got into bands through heavy music—metal, hardcore, punk, anything extreme. It was my way to channel all that teen angst, and I spent a large part of my youth at shows and playing in bands. But I was never stuck in one genre. Really anything that made me think or moved me on a raw emotional level was fair game and still is. These days, I lean more toward calm and peaceful spaces, but that teen angst will always be a part of me. Music has been my therapy from day one.
Approach to Music Composition and Creation
I’m not classically trained, and I’ve always had a DIY approach. I play by ear and am self-taught. I’m not concerned with music theory or what chords I’m playing; it’s all about how it feels in the moment. I feel that when things are boiled down to a science, they can lose their magic. For me, the best part of creating music is the freedom to explore, experiment, and improvise.
What pulled me in originally was playing guitar (left-handed) through effects processors at the age of 13—I loved creating unique sounds and seeing where they took me. It has always been about experimentation. I started recording music in the mid ‘90s with a Tascam Portastudio 4-track cassette recorder, then moved to digital with a Roland VS-880 hard disk recorder, and eventually shifted to modern laptop and computer-based production.
I get the most out of creating music when I don’t overthink it. Improvising and letting ideas flow naturally is what works best for me, but setting boundaries and working within limitations is important as well. As with most things in life, balance is important. With all the tools available to modern music producers, it's easy to get lost in the gear and lose focus. My best work tends to come together when I just follow my intuition and keep moving forward.
At the end of the day, music has been with me through every phase of my life. It has helped me communicate without words and connect to something deeper, something raw, unspoken, and true. It’s in those moments that I feel most alive.